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“The demand list for an actor playing Usher is huge,” says director Stephen Brackett ( Be More Chill). “I don’t want the recognition to take more power than the job itself,” he notes.Ībout his telling: Spivey answers a physically and emotionally demanding piece of work with a virtuosic performance. “But I can’t worry about how people respond,” Spivey says, “because I still have to tell the story every night, you know?” The same goes for the acclaim: While it was Myles Frost of MJ who ultimately captured the best actor Tony, A Strange Loop won best musical and best book that night and over the span of two weeks, Spivey took home a Drama Desk Award, an Outer Critics Circle Award, and a Theatre World Award. With racism, homophobia, fatphobia, and femmephobia all on the table, A Strange Loop makes good on its billing as a “big, Black, and queer-ass Great American Musical,” taking a hard right turn from soft-shoe Broadway fare and pulling references to everyone from Liz Phair to Tyler Perry into its maelstrom. (Usher spends much of the show in conversation-or outright combat-with his six intrusive, shape-shifting Thoughts.) “I feel like I’ve put myself into this closed-off headspace of, I don’t really care about how too many people receive it,” Spivey tells me, “because I know that it’s a show that is meant to be raw and true and honest, and that’s not necessarily what Broadway has made its money on.” Behind A Strange Loop’s wry humor and ouroboric framing-it’s about a Black, gay Broadway usher named Usher writing a musical about a Black, gay man writing a musical-is the portrait of an artist as a 20-something man, yearning for acceptance and understanding from his family, his faith, his nagging agent, and himself. Turns out all I needed to be was Jaquel and that feels good as hell right now.” He’s more cautious when I speak to him a few days later. I thought I had to be skinny, I thought I had to be masculine, I thought I had to be from a wealthy family…. Reacting to the news of his nomination, the Raleigh, North Carolina, native released a statement to the press that read, in part, “This type of stuff doesn’t happen for folks like me…. Then, A Strange Loop actually began, and 23-year-old Jaquel Spivey-who makes his Broadway debut in this production-received the kind of sustained, ecstatic ovation generally reserved for the Lanes and LuPones of the world. None of this was lost on the people streaming into the theater: In line, I heard one woman tell a friend that she’d snapped up tickets to the show because she “wanted to feel something,” and when Jackson’s voice was piped into the house before curtain, reminding people to keep their masks on and turn their phones off, the audience burst into applause. Jackson-led the field with 11 nods, including for best musical, best score, best book, best direction of a musical, and best actor in a musical. The nominees for June’s Tony Awards had been announced the day before, and A Strange Loop-the Pulitzer Prize–winning musical by playwright, composer, and lyricist Michael R. On a mild Tuesday evening in early May, I joined a queue outside the Lyceum Theatre in New York.